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Production[ edit ] After Sita Sings the Blues, Paley was criticized by some observers for co-opting the culture of India as an outsider, an assertion with which she strongly disagreed.
A recurring theme among the negative comments was "how would you like it if people made a film about your religion? Accepting this as a challenge, she turned to her own Jewish cultural heritage for her next project: She pored over the Book of Exodus, finding details that were not part of modern Jewish culture, for instance that Moses's brother Aharon performed some of the acts that are commonly attributed to Moses, and that the Jews were killing each other during their 40 years "wandering" in the desert.
For herself, she chose to play the part of a sacrificial goat, because animal sacrifice was essential to many early religions, and because she has been seen as the black sheep of her family. Paley, also a Jewish atheist, weaves the voice recordings of her father into the film as a way to understand the Passover story.
Ultimately, the project took another direction, and the recordings were not used in the film. First, she animated some musical numbers — "This Land Is Mine" and "Moses-Exodus" — using Macromedia Flash 8 running on a first-generation Mac Pro tower, but this was not powerful enough to edit 4K resolution video in a practical manner.
Inshe shifted the project to a second-generation Mac Pro, the vertical cylinder model, and settled on the applicaton Anime Studio Pro.
Paley said that it was not until that she could express herself easily in Moho Pro. She decided instead "to articulate the Exodus from the Goddesses' point of view", the goddesses who were at that time worshiped in Egypt as HathorIsisNutSekhmetand others.
She offered these individual goddess animations for free on her blog. In after working for a year and a half, the PaleGray Labs team produced a Passover-themed animated short, "Chad Gadya", intended to serve as intermission for Seder-Masochism.
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