Experiments in literature characterize the 20th and the 21st century.
Journalism and the Essay: The best prose of the twentieth century has gone into the novel and drama. With the close of the nineteenth century the long great tradition of English prose stylists starting with Hooker and Bacon came to an end. Though the twentieth century can boast a very large number of competent prose writers from Lytton Strachey to Bertrand Russell and J.
Priestley, yet none of them is comparable in stature with the old masters like Browne, Swift, Lamb, Carlyle, or Ruskin. Modern prose writers have hardly any style for they use language only functionally, not like prose-poets or orators.
Take almost any passage from the essays of Bacon or of Lamb and ask even a dull student to identify it and, a hundred to one, he will do so correctly. One important reason for this loss of style is the merger of the essayist with the journalist In this era of mass media a journalist may retain the individuality and independence of his mind but, when it comes to style, he has to accept the common norms of the written language for the sake of effective communication.
Many of the notable essayists of the twentieth century have been editors of newspapers or journals and some of them journalists. Ward, the enlistment of essayists by newspapers has had the following two effects: First, it has raised the standard of journalistic prose.
And, second, it has compelled the essayists to accept a discipline which was quite irksome but useful insofar as it trained them to write regularly to fill a predetermined space in an organ. The periodical essay of Steele and Addison, which was born with the eighteenth century and died with it, had a new avatar, under widely different circumstances, in the twentieth.
The Prominent Essayists of the Century-G.
He was not an essayist but a phenomenon. Chestertonian wit is not less-known than Shavian wit. Chesterton and Barnard Shaw were very different ideologically and even physically.
Shaw was very lean whereas Chesterton was very corpulent. It is said that once Chesterton taunted Shaw for his hollow looks, saying: Chesterton was always ready to measure swords with whoever came his way.
Basically he was a polemicist-vigorous and incisively witty. He started his career as a journalist writing weekly articles for newspapers. He made his mark with his contributions to the Daily News. As an essayist he has a tremendous range, and he has always something original and startling to say about everything.
Witticisms, epigrams, satiric sallies and ingenious paradoxes are recurring features of his prose. As an example of paradox consider his remark about the French Revolution: George did not conquer the dragon; he tied a pink ribbon round its neck and gave it a saucer of milk.
Belloc was a very close friend and collaborator of Chesterton. Wells and Bernard Shaw. Belloc was an extremely versatile writer-essayist, novelist, poet, historian, and biographer.
As an essayist he has a clear and lucid style laced with humour and charged with polemic energy. He hated to fake an emotion.The Best American Essays of the Century (The Best American Series) [Robert Atwan, same time the genteel essayists were lamenting their own demise.
The you have my basic criterion for the work included in The Best American Essays of the Century: "If I read a book [and] it makes my. Famous essayists not only are a part of our history, but also symbolize the experience, talent, and style.
So, let’s discover together the most famous essay writers of the 20th century!
No doubt, their experience of success is a respectable example for all the beginning essay writers. 20th Century» Essayists Find out more about the greatest 20th Century Essayists, including David Foster Wallace, V.S. Naipaul, Ruskin Bond, James Baldwin and David Sedaris. The Top 10 Essays Since By Robert Atwan | when I worked with Joyce Carol Oates on The Best American Essays of the Century A list of the top ten essayists since would feature some.
Best essays/essayists So, an essayist is someone who is a bit more highbrow than someone who writes opinions as editorials, yet they are not journalists per se.
I guess they rather pretentiously see themselves as contemporary commentators, and if they do it well, I don't mind the pretentions.
British biographer, critic, essayist, and poet Hamilton has assembled an anthology of 20th-century essays, organized "so that, decade by decade, a portrayal of the century shows through." The scope is broader than that of Best American Essays of the Century (LJ 8/00), including the British as well as the American perspective, but less focused 5/5(1).